“If in my youth I had realized that the sustaining splendour of beauty of with which I was in love would one day flood back into my heart, there to ignite a flame that would torture me without end, how gladly would I have put out the light in my eyes.” ~Michelangelo
I hear, from time to time, other authors speak of their old work in hushed tones, often in embarrassment or disdain or both. I’ve grown considerably since I first began to try my hand at this particular art of storytelling, but I realized something tonight that I’d known, yet forgotten all the same; youth is exempt from the fear of mortality and therefore has no concept of future misgivings. For most children there is always the promise of tomorrow and with it, the possibility of everything they long for. The fear of failure, when it comes to their dreams, is as foreign as the reality of income tax and termites.
After sending out a submission and getting unrealistically (and unnecessarily) wrapped up in all the ‘grown-up’ stuff we authors have to deal with, I sat down in my oversized chair and randomly went through a few old files—stuff I hadn’t so much as glanced at in a decade. I flipped absentmindedly through the papers and before long, I found myself stunned by my own past, in awe of a love affair with worlds I’d long since forgotten. I knew I’d written five ‘books’ when I was fourteen or so, in collaboration with my best friend at the time. I’ve read over them now and again for old times’ sake, but what I’d apparently put out of mind was a staggering amount of work—prologues, story sketches, scenes, character and plot maps; pages upon pages of what probably amounts to over 500,000 words or so. This is just prose, not journal entries (which exceed that number by far).
You’re probably asking yourself why you’re still reading this post by now, but give me a second here. My point in bringing this up, is that I want to remind you what it meant to write with such abandon. I clearly, clearly couldn’t have cared less if those words ever saw daylight, let alone publication. As adults, we still write with ourselves in mind (mostly—then editors, our readers, etc), but there is such a tremendous difference. It isn’t merely the lack of experience or lack of quality that would accompany any childhood ramblings that makes these penned worlds what they are. There is something else, something evergreen that literally jumps off of the pages. This girl, who worked free of boundaries, is why I started writing again three years ago. I didn’t merely love to write: I wrote with no concept of what it meant to be an author. I walked through the divide between what is, and what can never be, with no consideration of how it affected me personally.
What I’m saying, is that I didn’t care about voice, or style, or genre; I didn’t have any notion of royalties or advances or contracts. I didn’t fear rejections because frankly, even had I known what they were, I still wouldn’t have given a damn. Put simply, the story was all that mattered. We say this all the time as adults, but do we mean it utterly?
And really, when the day ends, what differentiates good prose from great? What distinguishes one work and discards another? That single quality, that crucial element that will, without fail, lend validity to your work is its ability to be evergreen. The irony of it, is that it isn’t something that can be forced. It either is, or is not. The choice is up to you and how willing you are to let go of your boundaries. As youth, we gather our materials and ready ourselves to construct mythical kingdoms, great and lofty palaces. Yet somewhere along the way our adulthood steals our confidence, tells us that all we have collected is of no consequence, convinces us that degrees and titles and awards are the only things that will build a future.
To hell with adulthood.
It’s in my blood. Perhaps I am romanticizing this time, but you didn’t spend the last three hours reading what I read. I’m ashamed of how much fear I’ve let slip in over the last year or so. But, the good thing about writing youthfully; there is always tomorrow. And tomorrow, I start fresh…no more fear or doubt (or Dragons if you’ve been reading this blog), only evergreen.