“I try to help people become the best possible editors of their own work, to help them become conscious of the things they do well, of the things they need to look at again, of the wells of material they have not even begun to dip their buckets into.” ~Tobias Wolff
If you’ve been a regular follower of The Asylum, you’ll know that at one point we’d had the ambitious idea of producing an anthology. For a variety of reasons, not the least of which was a serious lack of publishable material, we decided against it in the end. One reader, whose story had been accepted, responded that this move on our part didn’t surprise him and that for future reference, we shouldn’t promise something that we can’t deliver.
Frankly, we never promised anything. Sometimes, believe it or not, shit happens. I was heart broken over the decision. I’d previously extended the deadline for submissions because I didn’t want to let the idea go (this is likely why said reader responded so negatively. I suppose he thought I was pissing my time away, when in reality, the fact that I pushed the pub date out was my polite way of saying that all I’d received was unpolished material). He wasn’t alone in his negativity. Several contributors were curt in their response to my email. Why do I mention it now?
Because I was just graciously offered the position of Associate Editor at Suspense Magazine.
In other words, there is a lesson to be learned here: Be professional no matter how much something disappoints you. I recall those names quite clearly and I assure you, I’ll remember them if they show up in my inbox. It isn’t retaliation. It’s my unwillingness to work with that sort of an attitude. If you can’t grant me grace during an experimental project (which I was CLEAR about up front when it came to the anthology), then I’m not going to extend you any grace, whatsoever, now.
There are some folks, whose stories/essays were accepted, who I will likely solicit material from because of how they handled themselves.
It’s kind of like those kids in High School who were picked on, only to become their bully’s boss later on. You never know where you’ll run into someone again. You never know what bridge you’ll need to cross back over to reach your goal, so it is in your best interest to refrain from burning them.
I responded as gracefully as I could to the negativity. I’d already apologized for any disappointment I’d caused, so I went on to assure one writer in particular that there would never be a next time. I wasn’t ever going to attempt an anthology again. And I meant that. I’m not. I am now, however, involved with a well-known, established, magazine that needs good writers … with good attitudes.
Oops … guess who I won’t be emailing?
SO, what am I personally looking for? (disclosure alert: if your feelings get hurt easily, stop reading now)
Damn good short stories in the thriller/horror/mystery/dark fantasy genres: And when I say damn good, I mean it. My name is now attached to this stuff, so unless I’m excited about giving my recommendation, I won’t accept it. Period. I might love you like a sibling. Doesn’t matter. So, don’t send me stuff unless you know it has a clear beginning, middle and end. If it doesn’t, then the writing itself must be strong enough to carry the narrative. I’m OK with excerpts from larger works so long as they can carry their own weight. Teasers are fine too. But don’t send me some random snippet of whatever from your unfinished work. If it’s an excerpt, I want to see a publication date attached to it (it’s OK if you’re publishing it yourself, I’m cool with that).
Pieces on the craft of writing. I LOVE stuff that looks like it ought to be a guest post here. If you’ve got something genuinely inspiring and helpful to say, then PLEASE send it my way and let’s make me look good, lol. Don’t send me the stuff you read everywhere else: The Pitfalls of Praise, etc. I HATE that crap. If it’s glaringly obvious, then leave it in your ‘filler content’ file on your computer.
Interviews. Right now, anyone who manages to track down Bentley Little, will be on my hero list for life. I’m working on it, but if you can track him down first I will owe you a serious favor. Will I accept interviews from debut authors? Sure! But please remember that I need really thought-invoking stuff. It’s in their benefit and mine for you to ask the tough stuff. Dig deep. Make it interesting. If they sound like stock questions (where do you get your ideas from?) then don’t ask them!!
Artists. You’d better be Oliver Wetter or Eve Ventrue calibre if you send me stuff for consideration. Just because your grandmother bought you colored pencils for christmas doesn’t mean anyone else wants to see your stuff. Oliver and Eve work their hind-ends off, so don’t expect to do a half-ass job and have it work out for you. This, above all else, annoys me the most. Why? My mother is a professional artist. I’ve grown up in a house full of oil, acrylic and water color paints. I know what good art looks like and if you think your stuff is high enough calibre to submit it to me, then you’re tough enough to hear me tell you it isn’t. SO, before you hit submit, check your pants to see if you’ve got the balls for this. I won’t be kind if you send me one of those anime/manga sketches that you drew in chem class. And for the record, I’m OVER wolves. So unless yours has Red’s cape hanging out it’s realistic-looking mouth, I don’t want to see it.
Opinion/Essays on the industry, your experience as a published author (successfully self-pubbed or traditional), or on being an author in general. This is a little different than the whole, ‘stuff on the craft’ bit because it deals directly with you, not the craft. In other words, if you got shit for years from family and friends, before becoming a full time writer, I want to hear all about it—juicy details and all. Got an, I Told You So that you want voiced to the world? Let her rip.
What do I NOT want to see?
Stuff that hasn’t even been spell-checked. I don’t care about your learning disability. I’ve got one too, but I’ve learned how to deal with it. If you can’t turn in a polished, professional piece, then you won’t get my recommendation. End of story. I’m not talking about typos. Hell, I make typos ALL THE TIME (I’m sure there are some in this post). I’m talking about consistent issues and laziness. If I see it, I WILL tell you it’s unpublishable.
Poetry. Yeah, I know … there is a trend right now to crank out story-length dark poetry, ala Poe. But unless you are Poe, then I don’t want to see it. No, I mean this utterly. You aren’t an exception.
Graphic erotica, tons of cursing, or anything else I’m not allowed to turn into my own publisher. Look, I just spent two hours taking most of the F-bombs out of Icarus. I’m not saying you can’t curse or slip in an act of gratuitous violence here or there. But, it has to have a point. The fewer words you have to impress a reader with, the stronger your narrative has to be to hold their attention. In a short story, you can’t waste 15% of your verbiage on pointless vulgarity.
So, where do I submit?
I’ll respond to you within two weeks. I WILL RESPOND. To everything. If you don’t hear from me, don’t bitch about it, send it again. A lack of response means there is something wrong with the correspondence. I’m not ignoring you. If you don’t hear from me after sending your sub a second time, track me down on FB or here. On FB you can reach me under my pen name J.S. Chancellor (fan page) or my real name, Breanne Braddy.
Thanks guys! I look forward to seeing your stuff!