After fighting with a scene for three weeks, which included yelling at my keyboard, pulling at my hair and much weeping and gnashing of teeth, I’ve finally broken through the fog. How? I realized that it wasn’t the logistics of the scene that were hurting my ability to write it…it simply didn’t need to be written. I needed several main characters to encounter a, well, let’s say hardship, and instead of crafting a useful way for this to happen I was rushing through what turned out to be an extraordinary scene in the process. Let me be more specific; I hurried them through some rather fantastic scenery in order to be on solid ground and encounter said foe, and by doing so I was missing out on all that I was eventually able to do in the original setting.
All that gibberish to say that if a scene is giving you that much trouble, there are two reasons for it: It deals with something you personally aren’t ready to deal with, or it’s being forced. Check your motives. Does it sound like a plot device? Could your novel/short-story do without the whole scene? (This is good to ask for any scene you write). There may be many parts of the story that you write only for yourself, because keep in mind that a reader only needs to read what will push the narrative forward. Now, that’s not to say that it will always be obvious how it does so. A scene/chapter may only be for character building purposes, but you have to be unbelievably careful in doing this, you stand the chance of losing your reader’s interest. In other words, yes you can learn alot about James Bond with internal dialogue while he’s on the John, but it won’t have near the staying power as hearing that internal dialogue while he is in captivity somewhere (where he will inevitably sleep with the enemy and blow something up…but I digress).
I learned alot through this…and I may have encountered this lesson before, but as I’ve already said, each novel is different. Every story has its own characteristics and everytime I begin a new chapter, its like beginning a new relationship. There is the courtship phase, the newly-wed phase, the seven year itch (please God don’t let this drag on anymore), and hopefully the blissfully comfortable familiarity of someone you’ve known all your life. There are basic guidelines and ideas for all novels/relationships, but not all of them apply to every piece.